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Speaking of 's openings, this chromatic from the chorus is quite addictive:
D♯–D♮–C♯–C♮–B–E–A,
leading into a ii–V–I cadence at the end.

Essentially, it's just a fancy way of turning a B7 chord (the II) into Bm7 (the ii) but this is a vital ingredient to "Shiny Days" being what people call a .

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