Still can't get over the brilliant buildup of the dominant in 's S2 opening, at the end of the bridge. The two blue notes (D♭ and C♭ over a B♭7 chord) and the tightly performing brass section are too good not to get excited about every time.

Full OP:

Well, "blue notes" might not be an accurate term for this. How do you call these alterations then? Phrygian-scale inspired lick? Help! I'm not well-versed in at all! Save me!

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